Transcendent Television starring Ed Hale
5, 10 and 15 minute trailers for the TV show Transcendent Television starring Ed Hale, lead singer of the rock band Transcendence. A look at the world through the eyes and perspective of generation X exploring current events, modern culture, religion, spirituality, politics, science, environmentalism, activism, and much more.
Produced by Polar Productions in association with Transcendent Media Group LLC.
Edited by Charlotte Rademakers of Spinning Films Inc
Well we finally finished filming for the time being, and the initial editing stage. Definitely a lot more work than I realized going into it. I’m not sure what I expected going into this thing. As with most art for art’s sake I don’t know if I was doing too much thinking at all per se. There was just a lot to capture lately it seems — times are crazy; a lot to study and explore, and it seemed a good idea at the time to film it all. After that documentary that they filmed of the Nothing is Cohesive album and tour — that being the recently televised Everything is Cohesive (which can be seen here), I started to get used to the idea of filming everything. And if I was already constantly studying and researching various topics and travelling around to explore everything I found interesting or intriguing, why not film it all and turn it into some kind of film…. It makes sense.
Eventually the idea for Transcendent Television arose. From there it seemed easy. Just film everything. I honestly thought that doing something in TV or in documentary film would be easier than the music business, as difficult as the music business is. It sounds naïve now. The truth is that people who work in film and TV have just as much of a challenge, just as many obstacles and hurdles to jump over as we do in the music business. More really. And it’s a lot more expensive. (Okay that’s a maybe actually… making a new album from start to finish, and launching a tour, are both very expensive endeavors.) But there are definitely a lot more people needed in order to create visual art, or video content. Originally I was just live-filming everywhere I went and everything I did if it was cool or interesting, engaging or educational. Hell, sometimes even when it wasn’t cool or interesting to be fair. But that real time documentation of even the mundane seemed at the very least to be an intriguing concept for an art-film project.
Reality TV is in full bloom now and is taking over everywhere. It’s only a matter of time before technology catches up with us and enables us to be able to upload and host video content to the internet as well as TV. Hell, YouTube already enables it to a certain extent. It’ll take time for the tech to get there of course. Speed and bandwidth is slow and clunky now. But I wouldn’t be surprised to see live streaming of video content online at some point in the future, where everyone in the world has their own personal TV channel and is constantly broadcasting the day to day goings on of their life. It’ll happen. It’s the future.
I’m working on a book now, maybe a book, maybe a white paper, not sure yet, to express this thesis that we are entering this new age I just described above. I call it The Personal Expression Age. There’s a lot to it. I’ve observed collected and catalogued over 20 different Signatures that signal this new era and make it completely unique compared to any other time in human history. Just getting started on that though.
But that’s a different story. That’s where I started. Film everything. Break through the fourth wall a lot. Don’t worry about quality as much as content. Go for what’s real and genuine. But once the formal meetings with Peter and Kevin and the production staff started in New York, and they informed me just how complex and intricate the whole process was, it suddenly occurred to me that this wasn’t as easy and simple as I originally assumed. In reality you need 2 to 3 cameramen, a director, a boom mic operator, and sound team, production staff, logistics team… and that’s just to film content. Little did I know that once you were finished filming that you’d still need a whole team of editors to digitize all the footage and scroll through it and then piece it together in order to try creating something even semi-cohesive. From the moment we formally stopped filming (I never stopped myself… I’m still grabbing cameramen from Craigs List all the time and running out to shoot something no matter where I happen to be in the world…) and started the editing process, It took almost a full year for them to create episodes using the footage we had collected. Not a fast or easy process. But worth it.
